with Deaf Scene
Tuesday, October 10, 2017
18+ $10 // 21+ $5
Julie Slick (Adrian Belew Power Trio, Crimson ProjeKct) and Marco Machera are proudly presenting a new EchoTest album, exploring new heights in this bassist collaboration with their third release: “From Two Balconies.” Displaying an even higher production value, a new member (drummer Alessandro Inolti), many more guests (Pat Mastelotto, Tim Motzer, Ali Wadsworth, Ian Gray, Greg Rosen, and Sarah Anderson), the record is a departure from the heavily instrumental and bass-dominated “Fourth Dementia” (2014) and “Le Fil Rouge” (2015). It features lead vocals on 7 out of 10 tracks—Marco takes this role on a few songs, but he also shares this job with Mike Visser (Imaginary Tricks) and Claire Wadsworth. The result is a modern-sounding, yet classic record that defies genres, showcasing music that is truly progressive in nature. Featuring artwork by the legendary Derek Riggs.
“From Two Balconies chronicles a contemporary tragedy, the resulting resonance of
characters in a tempestuous tormented limbo.”—Julie Slick
“This is not what you would expect from EchoTest after an album like Le Fil Rouge. There’s obviously a common thread in all of our music – but we naturally set new goals and redefine ourselves with every new effort.”—Marco Machera
Baltimore’s own Deaf Scene is quickly becoming recognized as a standout band on a regional and national level, bringing a powerful blend of Post-Rock, Grunge, Progressive Metal, and Jazz-Fusion to their songs and live shows. This ever-evolving instrumental power-trio has consciously embraced walking a musical road-less-traveled since their inception in 2010. Along the way they have cultivated a dedicated following with their sonically-expansive live performances and their solid studio work. Straddling a gray area between the progressive cacophonies of Tool, ethereal soundscapes of Explosions in the Sky, and the sludgy twinge of Primus, Deaf Scene has forged a sound that is uniquely their own. Dave Fullerton’s effects-laden guitar melodies cascade over thick layers of looped sounds, while Eric Courtney’s intricate bass runs and Brett Schatz’s precise whirlwind of drumming give structure and groove to the chaos. What they’re able to accomplish on stage, as a three-piece band with no vocals, often surprises listeners who have never seen Deaf Scene in concert. The band works together beautifully through seamless sets of original songs, intersected by ambient samples and drones, generating “a sound that you would never imagine could come from three dudes” (89.7 WTMD).